>
>
> PERCEPTION
> ..something to think about...
>
>
>
>
> Washington, DC Metro Station on a cold January morning in 2007. The man
> with a violin played six Bach pieces for about 45 minutes. During that
> time approx. 2 thousand people went through the station, most of them on
> their way to work. After 3 minutes a middle aged man noticed there was a
> musician playing. He slowed his pace and stopped for a few seconds and then
> hurried to meet his schedule.
>
> 4 minutes later:
> the violinist received his first dollar: a woman threw the money in the
> hat and, without stopping, continued to walk..
>
> 6 minutes:
> A young man leaned against the wall to listen to him, then looked at his
> watch and started to walk again.
>
> 10 minutes:
> A 3-year old boy stopped but his mother tugged him along hurriedly. The
> kid stopped to look at the violinist again, but the mother pushed hard and
> the child continued to walk, turning his head all the time. This action
> was repeated by several other children. Every parent, without exception,
> forced their children to move on quickly.
>
>
> 45 minutes:
> The musician played continuously. Only 6 people stopped and listened
> for a short while. About 20 gave money but continued to walk at their normal
> pace. The man collected a total of $32.
>
> 1 hour:
> He finished playing and silence took over. No one noticed. No one
> applauded, nor was there any recognition.
>
> No one knew this, but the violinist was Joshua Bell, one of the
> greatest musicians in the world. He played one of the most intricate pieces ever
> written, with a violin worth $3.5 million dollars. Two days before Joshua
> Bell sold out a theatre in Boston where the seats averaged $100.
>
> This is a true story. Joshua Bell playing incognito in the metro station
> was organized by the Washington Post as part of a social experiment about
> perception, taste and people's priorities. The questions raised: in a
> common place environment at an inappropriate hour, do we perceive beauty? Do
> we stop to appreciate it? Do we recognize talent in an unexpected
> context?
>
> One possible conclusion reached from this experiment could be this: If
> we do not have a moment to stop and listen to one of the best musicians in
> the world, playing some of the finest music ever written, with one of the
> most beautiful instruments ever made.... How many other things are we
> missing?
>
>
>
>
Think about this.
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