On Tuesday, Dec. 24, 2024, at 11.30 a.m. Joseph Gallivan interviews Mary Weaver Chapin, the Curator of Graphic Arts at Portland Art Museum, who will discuss the show “Psychedelic Rock Posters and Fashion of the 1960s,” which runs now until June 15, 2025.
Ms. Weaver Chapin talks about why the words were hard-to-read, the clashing colors, and the businesses of cranking out posters every week for live concerts in San Francisco and Portland in the 1960s. The show draws on collections from people who were on the scene, and includes clothing, furniture and a light show.
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From the press release:
https://portlandartmuseum.org/event/psychedelic-rock-posters-and-fashion...
Psychedelic Rock Posters and Fashion of the 1960s reveals the passion and creativity of the era through the iconic rock posters of San Francisco and beyond. The Haight-Ashbury neighborhood of San Francisco was an incubator for ideas, expression, social thought, and, above all, music. Young people from across the nation gathered there to explore alternative ways of living and to challenge contemporary paradigms. At the heart of it all was the psychedelic experience, or an altered state of consciousness.
To capture the heady experience of life and music at this time, poster artists invented a graphic language to communicate the excitement of rock concerts, which featured liquid light shows and film projections. They drew on disparate historical precedents such as Art Nouveau, Wild West posters, and Victorian engraving and combined them with vibrating color, inventive lettering, and witty and provocative design. The exhibition brings together more than 200 rock posters, including work by the “big five” designers of the day—Rick Griffin, Alton Kelley, Victor Moscoso, Stanley Mouse, and Wes Wilson—as well as other superb talents, such as Bonnie MacLean and Bob “Raphael” Schnepf.
Fashion both reflected and influenced the psychedelic look of the posters. The exhibition showcases approximately 20 eclectic vintage styles ranging from embroidered denim and hippy fringe to crochet and velvet.
Psychedelic Rock Posters and Fashion of the 1960s draws from the collection of the Portland Art Museum, most of which comes from a major donation from Gary Westford, who serves as a consultant on the project. Key loans round out the visual story of the psychedelic era.
The exhibition is curated by Mary Weaver Chapin, Ph.D., Curator of Prints and Drawings. Supported in part by Exhibition Series Sponsors.
Note there is a talk on Jan 12, 2-3:30pm by Victoria Binder called Breaking Every Rule: The Art of Photo-Offset Lithography and Psychedelic Rock Posters.
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Joseph Gallivan has been a reporter since 1990. He has covered music for the London Independent, Technology for the New York Post, and arts and culture for the Portland Tribune and for Axios Portland. He is the author of two novels, "Oi, Ref!" and "England All Over" which are available lightly used.