On Tuesday, Jan. April 29, 2024, at 11.30 a.m. Joseph Gallivan interviews artist Bonnie Melzer and musician Jennifer Wright about The Burned Piano, which is on show at the Oregon Jewish Museum and Center for Holocaust Education.
They talk about the antisemitic firebomb that burned a house including a beloved Steinway, and how they rescued pieces from the ashes to make new art and music.
The Burned Piano is on show now through June 30.
This show was recorded on Zoom H2N recorder on April 20.
FROM THE PRESS RELEASE: https://www.ojmche.org/events/the-burned-piano-project-creating-music-am...
April 7 – June 30, 2024
Over several weeks in spring 2022, as lilacs bloomed in Portland, a mosque, a Black-owned restaurant and two synagogues were vandalized. Around that time a family’s home, which also was a Jewish organization’s mailing address, was destroyed by arson in the middle of the night.
We are not naming the family for their protection.
In their home stood a cherished grand piano, passed down through three generations. The family could not bear to see the piano tossed into a dumpster along with most of their belongings. Instead, bolstered by community, they resolved to face destruction, waste, and hate with creativity, art, and love.
The Burned Piano Project: Creating Music Amidst the Noise of Hate began with one family’s experience of antisemitism and reminds us of the larger context of rising hate crimes in Portland and the United States today. This exhibition celebrates how community can promote healing, build empathy, and grow understanding.
Textile and found-object sculptor Bonnie Meltzer created Because They Were Jewish, a tapestry with piano strings. She also transformed the wooden key cover and more piano strings into Threads of Connection, a sculpture with an interactive component. Composer and performance artist Jennifer Wright transformed elements of the ruined Steinway into a fantastical new instrument, The Glass Piano. Wright will perform multiple concerts of the original music she has composed for this one-of-a-kind creation in the gallery over the course of the exhibition. Wright’s second work in the exhibit, As Many As There Are Seeds in a Pomegranate, creates a ritual space around the piano’s massive cast iron harp. Almost every part of the burned piano was incorporated into the artworks on exhibit, including two works, Lifecycle and Pushing the Pedal, contributed by family members.
OJMCHE is grateful for exhibition support from the Oregon Arts Commission, Regional Arts and Culture Council, and the Zera Foundation.
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Joseph Gallivan has been a reporter since 1990. He has covered music for the London Independent, Technology for the New York Post, and arts and culture for the Portland Tribune, where he is currently a Feature Writer. He is the author of two novels, "Oi, Ref!" and "England All Over" which are available on Amazon.com